The Avant-Garde Does Not Surrender: The Cinema of Želimir Žilnik
The Avant-Garde Does Not Surrender: The Cinema of Želimir Žilnik, an international symposium organized by Aleksandar Bošković. This conference is free and open to the public.
Please join the East Central European Center, the Njegoš Endowment for Serbian Language and Culture, and the Harriman Institute for The Avant-Garde Does Not Surrender (after Asger Jorn’s L’avant-garde se rend pas, 1962), a symposium dedicated to the cinematic works and practices of renowned Yugoslav filmmaker Želimir Žilnik, who has been in the vanguard of socially committed and politically engaged cinema in Europe since the 1960s. His extensive body of work, comprising over sixty short films and features, has steadfastly adhered to the principles of cinematic resistance against the prevailing status quo, cultivating a distinctive cinematic style that prioritizes agency over mere representation.
Žilnik’s films, particularly his documentaries and docudramas (referred to as docufiction), serve as a platform for giving voice, stage, and agency to various marginalized, underrepresented, and often overlooked individuals and groups. In his distinct approach, Žilnik transforms cinema into an instrument of praxis, a form of cinema that not only empowers its protagonists—the homeless, the unemployed, immigrants, refuges, the politically, racially, and sexually oppressed, or marginalized subjects—but also fosters an engaged social experience. Žilnik’s “cinema-as-praxis” (Levi) relentlessly resists hegemonic regimes of knowledge by espousing modes of understanding and interventions in the world rooted in practical experience.
The symposium is accompanied by a retrospective of Želimir Žilnik’s works at the Anthology Film Archives (November 3 – 10), followed by an evening with filmmaker Želimir Žilnik at the e-flux Screening Room on Saturday, November 4 at 7pm. Both events are organized by Greg De Cuir Jr. and co-sponsored by the East Central European Center. The evening at e-flux on November 4 features a screening of early short films by Žilnik, followed by a discussion between Žilnik and Pavle Levi.
Tatjana Aleksić, Associate Professor of Comparative and Slavic Literatures and Film, University of Michigan, Ann Arbor
Petra Belc, Ph.D. in Film Studies, University of Zagreb
Vladislav Beronja, Assistant Professor in Slavic and Eurasian Studies, University of Texas at Austin
Greg de Cuir Jr., Co-Founder & Artistic Director of Kinopravda Institute, Belgrade
Amir Husak, Documentary Media Maker and Assistant Professor of Media Studies, The New School
Ana Janevski, Curator in the Department of Media and Performance Art, The Museum of Modern Art
Dijana Jelača, Lecturer in Cinema Studies in the Department of Film, Brooklyn College
Nataša Kovačević, Professor of Postcolonial LIterature, Eastern Michigan University and Editor of JNT: Journal of Narrative Theory
Pavle Levi, Professor of Film Studies, Stanford University
Dušan Radunović, Associate Professor in the School of Modern Languages and Cultures, Durham University
Jasmina Tumbas, Associate Professor of Contemporary Art History & Performance Studies in the Department of Global Gender and Sexuality Studies, University of Buffalo
Želimir Žilnik, Filmmaker
Image: Still from Želimir Žilnik’s feature film Pretty Women Walking Through the City (1986)